Game of Thrones – Valar Morghulis
by deerinthexenonarclights

(Apologies if this review seems as if written in tounges. Winter has come and I am high on a head cold / medication combo. You have been warned.)
OK, so I may not have loved this second season of the show but I am very much looking forward to the third after the reveals of that final minute. The problem though is that Thrones is much better at forming these promises than it is at delivering on them; so it may well be that we won’t see anything as awesome as that, or even these exact plots themselves, again until the next season finale. Now, on that note it has become something of a trend that I write these reviews by discussing the title, though I might have to give that approach a miss this week because…well…what I don’t know what the hell this title actually means. So instead I will try and view the abundance of arcs through the prism of another obvious first impression, the fact that this is the shows season finale.
All year I have been saying that this show is so strangely structured that I never had any real idea of what to expect from the coming weeks ep: what the storyline would be, which characters it would feature and to what lengths they would take them. With this being a finale the mystery was multiplied: would it attempt to build up from the battle scenes of last week (a seemingly impossible task to set oneself) and offer an action packed instalment, would it be a traditional HBO show style quiet denouement that warms us down after a daring penultimate episode or follow in the footsteps it itself set in the snow last season and stand predominantly as a prologue for the stories still to come?
There were quite a few eventful moments in this episode, quite a few scenes of action and swordplay and these I think served as perfect exemplars of the shows problems with scale. See, the small skirmishes that we were shown this week – Jon and Brienne’s – were both much more compelling that the massive castle siege of last week because they were clear, cleverly written and based on character. The big battle however – the fall of Winterfell – was astoundingly weak; yes the Theon stuff preceding it was some of his best and the undercutting of his attempt to mimic Tyrion and inspire the troops through honesty was amusing but as soon as that happened the show lost me. Firstly, what the hell actually happened to both Theon and the town itself? Did the Salty soldiers simply sneak out through the tunnels, did they hand over Theon to the sieging forces first, did they set fire to the village as a distraction? And why then when the kids come back do they have to set off on an epic quest for safety, for all of those situations suggest that the enemy troops have left the area and a five hundred strong force of Stark troops stand right outside the walls, all of whom would be more than willing to protect them? Skipping over fight scenes is fine, but not filling us in afterwards on the result is not (and on this note, Stannis is back in his castle how?). It really seems like something important was missed here as it often does whenever the show attempts to depict these larger dramas. If this lack of conclusion was meant as a cliffhanger then it was a confused attempt at one.
There were however as many intimate moments as there was epic ones and the majority of these were spent pondering the consequences of last weeks action but more than tying up loose ends the episode was focused on tying the knot. Something that season finales quite often feature is a death, a birth or a wedding and here it was the latter that we were given; Rob Starks star-crossed romance with…some woman was finally made official, Joffrey upgraded to a new, more flattering model, Tyrion gave a teary declaration of love to both his girl and the game of the title while Arya and Brienne both made promises with their strange male bedfellows. It seems that the show was solidifying relationship status’ for the coming season, so that we would know for sure who will be playing off of who and this I am all for, having some of its focus set in stone early can only be a good thing for this show.
We were though also given some literal glimpses into the future of the series alongside these hints as seers and sorcery both showed us subtle skewered spoilers of stories to come. Winter will come to Westeros, King’s landing will be torn apart, Stannis will be king (though he should surely be in a dungeon or dead, no? Joffrey doesn’t seem the type to forgive someone who declared war on him. So confused.) and Dany and her dragons will be together for many, many seasons (both natural and network I imagine); though are these to be trusted? Many readers must feel as if they can tell the future thanks to their knowledge of the books, but this is apparently a major point of departure – Benioff and Weiss having said that the third season will be a mush more liberal adaptation of the books than those that have come before – and so even their expectations may well be proved wrong. The future of the show is foggy.
So like the season as a whole Valar attempts to do so many different things that it fails to satisfy as any. After last weeks epic event a simple hour would have sufficed here but instead the writers went big and attempted to cram elements of everything in leaving us with one of the least coherent hours yet. And yet it had some stunning individual moments, those beats and images that make you rock back in your seat and say ‘Phwoar!’;these are already amazing but would mean so much more if they were held within a story that was structured to make some sense. As much as I loved getting a look at the White Walkers and wish to see a season based around Westeros battling them in winter, what i really want is the show to scale down and become something much simpler, but this episode sort of scoffs at that idea. I have had faith in the show so far and it has now fooled me twice but I won’t let it take a third; next year I think I am going to just be more willing to accept the show as schlocky and inconsistent, as good but not great and go along for the ride.

To me the show only really shines when Dinklage or Khaleesi are on screen . Once more we see some dragons kick ass much like the season 1 finale and while not the final scene it still stole the episode for me . I will continue to watch and continue to be largely confused I imagine.
I’m itching to discuss this finale, but I’m swamped with homework tonight. Expect a BIGASS review from me either very late tonight once all the work is done, or as soon as I get up tommorrow morning.
GAME OF THRONES- VALAR MORGHULIS (FILTHSPOSITION)
Another year, another Game of Thrones finale. Forgive this one being WAYYYYY too long, it is the finale after all. Try to cut me some slack and read/discuss.
I’ll start with the worst of it-
I’ve come to the conclusion that the show was simply not accessible enough this year to those who haven’t read the source material. The clarity of storytelling wasn’t always sharp enough. Sure, some of those viewers might be able to work everything out, though I don’t think it’s purely an intelligence issue as to who can and who can’t.
For instance, I strongly believe that my parents are reasonably intelligent people, but I needed to clarify many things for them this season. An example would be that they thought Stannis was captured by Lannister troops at the end of last week’s episode, not realizing that he was instead dragged to safety by his own men. So when Stannis showed up back in Dragonstone this week, they later asked me to explain. I think that was a pretty common issue among viewers.
Also, when Jon was fighting Qhorin Halfhand in the finale, they both assumed that the two were pretending and would then turn on their captors. When Jon killed Qhorin, they suspected he had slipped into a rage upon hearing Qhorin insult Jon’s Mother, and had retaliated without thinking. When they came to me for clarification after they watched the episode, I had to explain that no, it was all a plan to send Jon undercover. This was a less common misconception among viewers, but it still raises the larger issue. I personally believe that the show should be clear enough for my parents to understand pretty much everything without my help. Knowledge of the books should give added depth, but it shouldn’t be bordering on being a necessity the way it sometimes was this year.
The way the Battle of Winterfell was done was absolutely terrible. It made NO SENSE why the kids didn’t go to the Stark soldiers for protection, or why Winterfell was on fire. Those answers may be coming later, but there was no reason to delay them. The book was very upfront with all of that information (and I will explain it if you guys don’t want to wait a year to understand this finale), and rightly so. The show didn’t even need to show the battle in order to clarify this stuff. They could easily have had the dying Maester Luwin explain things to the children. Very very bad accessibility and clarity of storytelling right there. The show will need to cut that sort of shit out next year.
Not onto the rest-
Everything in King’s Landing worked wonders for me. Pycelle gloating over Tyrion was a nice callback. Same with Varys being back to scheming against his old rival Littlefinger. It looks like Ros will finally have some downright interesting material next season, the seed for which grew organically out of what she suffered this year. Margaery’s proposal to Joffrey was a good follow-up to her “I want to be THE Queen” line earlier. Her proposal will have an interesting impact on several characters next year. Tyrion’s relationship with Shae finally felt fully convincing in this episode. Littlefinger inheriting Harrenhal after all was a good callback. All of these things were addressing desires and dynamics between characters that were hinted at earlier in the season/series. I really appreciated all of these mini-payoffs, and did not have faith that the show would deliver them. The fact that it was done, and all in a clear, efficient manner was much appreciated. It did a great job of making this season feel just a little less disjointed for me, while also clarifying some things for next season well in advance. Nice stuff. So yeah, a BIG thumbs up for the King’s Landing scenes from me.
Robb getting married to Talisa was okay. All of the stuff with Robb this year was a bit dull, but it will directly set up some amazing twists and turns in the next season. While his scenes should have been more engaging in the moment, at least we have only the payoff to look forward to now. The show suffered in general this year from some overly slow pacing, with episodes being more about setting up future seasons then delivering a great experience in and of themselves. While this is a questionable approach, hopefully it will at least fulfill it’s desired function of allowing for some amazing episodes further down the line.
I liked the Stannis/ Melisandre scene. I thought it could’ve used stronger music, and the violence there could have had a bit of a stronger impact. But I still like those two performers, and I liked the idea that maybe in the show Stannis isn’t quite done as a threat yet. It is nice to see when they make bold changes from the books.
The scenes with Theon were absolutely fantastic. Right up to and including when he got knocked out, which was a great gag. However, the show’s failure to delve a bit more into what exactly happened to him and Winterfell after that was truly terrible. Just a massive, massive miscalculation which somewhat sullied all the great work done with Theon in the episode up to that point. However, Maester Luwin’s death was well-done. As said before, he could and should have explained to the audience via dialogue what had occurred to Theon and to Winterfell, but I was still emotionally moved by his death. I liked the character. There was an amazing shot of Winterfell burning as Bran and friends walked away. That moment was also accompanied by what I call the “Sad Bran music” (which had previously been used over the final scene and closing credits of Episode 8- “The Prince of Winterfell”). I think that “Sad Bran Music” is a truly brilliant, haunting piece of music, I really must try to find it on the internet. Bottom line- The Winterfell material was massively hurt by the showrunner’s nonsensical refusal to provide necessary information, but I still found some elements to really love there.
Dany’s scenes were also acceptable. The House of the Undying was much weirder in the books- A much longer bout of mayhem with Dany going through room after room of increasingly bizarre hallucinations. It reminded me more of Twin Peaks and Tarsem Singh’s “The Cell”. The show took a much less theatrical route and instead conjured up a re-appearance of Khal Drogo. While I had hoped for more hallucinatory insanity, what they did offer was a nice enough suprise and was pretty well-done. The “Warlock Dean Pelton” arc was pretty muddled right through the season, but they at least wrapped it up in acceptable form.
What I thought was even better were the scenes with Dany after she left the House of the Undying. Those scenes stole the episode for me. Dany locking Doreah and Xaro in the vault- What a haunting, badass scene! The moments after with Dany walking down a hallway with her dragons, while the men looted everything in the background was AWESOME. The misc-en-scene was perfect, and a lot of that stuff nailed a very “finale-ish” feel for me. The line “Will this buy me a ship?” “A small ship”, with a mixture of great music and acting and cinematography, successfully created more anticipation in me for Daenery’s storyline next season. This is quite an achievement after how flawed her storyline was for most of this season.
The scene with Arya and Jaqen was reasonably cool. Arya’s storyline in Season 2 was massively different from how it was in the book. Half of the changes were really nice, half of them were really really misguided. Same goes for Daenerys. I think comparing and contrasting the very different ways that the show and the book approached this chapter of the saga is highly fascinating, particularly in relation to those two characters. I’d highly recommend that you guys read the books because “A Clash of Kings” and “Game of Thrones- Season 2” are really quite different experiences (I’ve described a LOT of the differences in these reviews, but still haven’t touched even half of them). And I’m sure the differences will only increase dramatically with every passing year from here on out.
The scene with Jaime and Brienne was fantastic. Their continued adventures were a highlight from the books, and I can’t wait to see how the show handles them next season.
And of course the closing scene with the White Walkers was f*cking fantastic.
Oh, and I just because I have to say this in every review- The opening credits sequence, as always, was f*cking great.
Overall, I thought this was a very good episode, hindered only by a few big issues with accessibility and clarity of storytelling that I detailed earlier. This season was certainly not as good as I’d hoped, not as good as the book it was based on, and not as good as the first season of the show. However “Blackwater” and “Valar Morghulis” mostly won back a lot of goodwill for me. Due to the diminished quality of the season, I won’t find the hiatus anywhere near as excruciating this time around. However, despite the many flaws, I would still call this a good show. It’s just not a great one anymore. It’s still by far the one I most enjoy talking about (as you all have surely noticed). And maybe one day it will reclaim it’s former greatness. Even if not, I will be here year after year, providing obscenely overlong reviews for those who care to read them.
Here are my star ratings and episode rankings for the season-
THE GREAT-
1. Episode Six- The Old Gods and the New (9.5/10- F*cking LOVED IT)
2. Episode Two- The Night Lands (9/10- Mostly brilliant, aside from some over-the-top sexposition)
3. Episode Three- What is Dead May Never Die (9/10- A brilliant episode)
4. Episode Ten- Valar Morgulis (8.5/10- Mostly very satisfying, may have been a star higher if the massive Winterfell issues had been fixed)
5. Episode Nine- Blackwater- (8.5/10- Mostly top notch, may also have been a star higher if the woeful final five minutes were much improved).
THE GOOD-
6. Episode Eight- The Prince of Winterfell (7.5/10- A much disliked episode by many, but I found a lot to enjoy in it)
7. Episode Four- The Garden of Bones (7/10- I had some issues with this one, but there was still enough awesomeness. SHADOW BABY!)
THE BAD-
8. Episode Seven- The Man Without Honour (6/10- Aside from an amazing Jaime Lannister speech, this ep fell flat for me)
9. Episode Five- The Ghost of Harrenal (5/10- Renly’s death was mishandled, and this was a dull, dull episode)
10. Episode One- The North Remembers (5/10- A recent rewatch proved this to be a pretty dull episode for me).
I’d recommend everyone read the first two books over the hiatus. The first one is mostly the same as the TV show. The second one is rather different and should prove a very interesting read for you.
Cya next April for Season 3, folks!