Category: Mad Men

Mad Men – Man With A Plan

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It’s somewhat fitting that an episode built around repetition would borrow so heavily from the thematics of the hour that preceded it, but it doesn’t make it any less of a pain to write this review. Man With A Plan was the kind of episode that showed the screenwriters in the room clearly have one, probably up on a big board somewhere that they would have returned to again and again during the writing of this hour; doing what Ted termed an old fashioned technique, research. To mirror the plots core premise, the overpopulation of the company’s post-merger offices and the repetition and redundancies that come with such, the episode weaved in a number of references to episodes past; scaling from the blunt to the subtle. It’s no coincidence then that this is the episode where Pete’s mother is first shown to have some form of Alzheimer’s; she forgets but the show never does. Matt Weiner is the man with a plan and we best trust in it.

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Mad Men – The Flood

Mad Men is not necessarily a very nice show, it’s inspired but not so much inspirational, and so when real life historical events intrude upon the show’s storytelling they tend to be the sadder ones, the ‘catastrophes’ as one character puts it or the floods as the title does. Tonight’s catastrophe was of course the assassination of Martin Luther King, his passing the breaking of a wave that would continue to crash and spill through American cities over the following days. A simpler show would have taken this time to show us the way that their colored characters reacted to the tragedy, they would have used it as an obvious jumping off point for a civil rights debate but Mad Men has never been such a show and so it instead took this time to convey a more complicated idea, one that Dr.King famously preached: the identicality and inversions inherent in man, that though we are all different we’re also all the same.

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Mad Men – To Have and To Hold

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To Have and to Hold sounds like a simple episode title on the surface, rather rote in its familiarity. Obviously the phrase is a standard sort of declaration, specifically a wedding vow; which is arguably just about as meaningless a string of words as there can be in the Mad Men universe. Step back for a second though, look at it as a sentence, and it swiftly starts to seem like something that should belong to TV’s best Primetime cable drama and not some daytime, network soap. Mad Men is all about having, is all about greed, about holding on to what you have while simultaneously trying to get more, more than you had before, more than the other guy, to have more than you can possibly hold.

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Mad Men – The Collaborators

Last season slumped dramatically in its second week, with its third hour, Tea Leaves ( an episode that only stands out as weak once you have seen the staggering streak it sets up). It was a bolt out of the blue after the stellar season premiere and flattering finale before that. Many blamed January Jones for the flop, citing the character of blown-up Betty as bad enough to burst even the best of the show’s episodes. Her character is thankfully absent here but the team collaborating behind the scenes remains the same with Weiner writing and Jon Hamm again directing the earliest possible episode for scheduling’s sake and again it is a bit of a drop from the program proceeding it. As much as it pains me to say it I think we may have found the one thing that the man is merely good at.
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Mad Men – The Doorway

Though I may occasionally like to preach I’m not really a religious man; there is something about this show though that brings that side out in me. Mad Men is a certified miracle: it’s got a ludicrous concept, alien feeling execution, is set in an era too familiar to fantasize and a main character that takes male fantasies an twists them into something unbearable to see. It’s a show that shouldn’t have worked for a season that so far has managed to get better and better with each one that passes (an I’m praying that this trend will continue). God its good to have it back and even better to be back. It was the best feeling to walk through the doorway of The Doorway and back into the world of Mad Men: back into the sixties, back into Manhattan, Back into Sterling Cooper Draper Pryce and back into the best show on television and know that I would be doing it again and again each and every Sunday, the atheists Sabbath. Praise be to TV’s lord and savior Matt Weiner (and lets hope such overzealous praise isn’t the straw to break his ego’s already swollen back).

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The Top TV of Twenty-Twelve (Part Three)

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OK, so these are the final four shows in my top ten (though you may well note a flaw in that statement once you’ve read what is to come). If you want to start at the beginning try HERE, the Middle HERE and if you’ve read both click ahead.

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Mad Men – The Phantom

What haunts the people of Sterling Cooper Draper Pryce? Literally speaking it is that last name on the letterhead, the man it signifies, the seat he left empty and the most nefarious fate that found it that way. More so than any of that though it is the phantoms of the past as a whole that most pervades their private thoughts and turmoils of the soul as they step warily into the future. What did they do to get themselves here and what didn’t they when they should’ve? These are some of the questions running through their heads during the episode, but these like so many others are all questions that ultimately go unanswered by a rather ambiguous and seemingly uneventful finale.

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Mad Men – Commissions and Fees

(Caution: coherency may vary. Author is feeling like a bit of a Jaguar today)

“What happened to your enlightenment?”
“Don’t know. Wore off.”

Nothing lasts forever. Happiness doesn’t last. Satisfaction Doesn’t last. This Season will not last much longer (it has only a week left to live) and Lane? Let’s just say that forever is now exactly where he finds himself. It’s unfortunate but it’s also just the way of life; nothing lasts. That is, not unless it’s stuffed and displayed in a diorama, a false frontage, a facade for a future audience of disinterested onlookers; then maybe a glimpse of it remans. Mad Men is officially going to go down in history as one of the greatest tales ever told but there has been no doubt of that for a very long time, these episodes are simply tasked with determining what shaped legacy it will leave, they are adding the baby to complete the family, if you will.

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Mad Men – The Other Woman

We often talk of our things in female terms, we refer to those objects that we men own or have built as if they were women: boats, buildings, bridges, guns and automobiles. These anthropomorphic malapropisms, these turns of phrase form the thematic core of this weeks episode and it’s talk of sports cars, sexual deviance and male dominance; there is even a scene in which Trudy refers to the entire isle of Manhattan as Pete’s mistress, the other woman in their marriage. This may seem on the surface like a small topic for the show to tackle, a rather meaningless set of metaphors, but when you see them extended towards their extreme as they are in this episode you see that this could not be further from the truth; that their implications are intimately effecting and tragic in the extreme. In short, The Other Woman is a beauty, she’s one of the best episodes that the show has offered yet.

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Mad Men – Christmas Waltz

The characters of Mad Men have been dancing around their problems all season, putting up fronts and allowing fights to simply fall away – like say the Don/Megan blow up of earlier in the year – but this week the choreography changed and their motion moved up in tempo. What had once taken only simple steps to avoid now requires a complex number and a much bigger budget. They lie like those Hare Krishna’s chant; softly at first, slowly, then they speed up and repeat then line again and again, getting louder and louder with each lap until eventually they just break and they’re yelling, they’re in a trance an entirely exposed nerve. So far they’re keeping up, they’re managing to stay on their feet but with each passing moment you can’t help but see the trip coming and the fall that will surely follow.

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