Tag: Batman

Injustice – Chapter Two

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Injustice, the new DC series set prior to the upcoming game of the same name, is, like all of their digital series, being released weekly; these small instalments will then be bundled together and brought out as a monthly mini-series otherwise not unlike any other on the shelf; those bundled together into a trade. As a reader this is an interesting and rather ideal set-up: one allowing me to regularly consume the story with the rhythm of a great TV serial, the more archaic readers their preferred paper format and me (again) the luxury of a contained collection to keep into the future. As a writer though ( of these rambles, let alone of the book itself) this weekly format is a challenging one; leading to regular reviews that will either end up being too repetitive, too short or too repetitive to read. So while I will be eagerly awaiting each and every Tuesday night for the books release ( Wednesday for you yanks) I will only be reviewing at irregular intervals.

But you don’t care about that, you want to know about the book itself. Last week I wrote a lot about this books beginnings, about my experience reading it and about the craft that made it so compelling; what I didn’t really mention though was the story ( I don’t like to be specific before others have had the chance to experience something for themselves). Inside of the book itself the biggest surprise – for me at least, going in with no information – was the suggestion we got of an Übermensch abandoning the American way and wielding the European tradition of Dictatorship in its place; it was a shock to see superman become the villain, primarily because he was shown as such a sweet protagonist on nearly every other page. This week we get to see just how this future could possibly come to be, even though we are barely scratching the surface of the series’ mystery.

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The Dark Knight Returns: Part Two

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It was a rather strange move on the part of this movies makers to split the story of its Frank Miller adaptation in twain; certainly it’s something we are all too familiar with seeing occur in the cinema, but not so much when it comes to Direct-To-DVD animated titles like this. Still, there is something strangely fitting about it, especially given the parts of the comic that they have here attempted to adapt: in this version it is a dramatic tale of clashing dualities: of men and masks, of men and women, of dark and light, of real and unreal, of good and bad, of new and of old. Though if that sounds too heady for you then know that it is also, very much, a film about a guy in a bat-suit beating strangers; this binary of serious and silly yet another to add to that overlong list.

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Batman #13

Scott Snyder had written a large number of stunning scripts before he was given Batman, some of them even containing a different Dark Knight in the case of that Detective Comics run, but his name was mostly made within the confines of a single genre of comic: horror. Severed, American Vampire and Swamp Thing to name a few are all books known for the creepy, creative ways in which the characters spill blood and yet the brilliant first year of his run on this biggest of books was almost free of the stuff, dark but not disturbing. Issue Thirteen changes this almost instantly, kicking off the second year with one of the scariest – in terms of both suspense and squeems – Batman books ever written. The only reason that I say ‘one of’ is because I know that he has sent of several more in this arc, this single run is sure to make up most of the top ten.

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Legends of the Dark Knight: Look Inside

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When you hear Scott Snyder talk about Batman you understand right away just how it is that he has managed to make his current run stand out and even above the many, many years of history. Not only does he understand the character intimately but he also sees clearly the roles that each of the comic’s villains are required to play in relation to him. He says that they are all reflections of some part of Bruce’s personality, reflections that have been perverted by sin in the city that he loves, by the Black Mirror of the trade’s title: that the Joker’s anarchistic chaos is there to temper his own steel-set code of conduct, that Two-Face highlights the horror of splitting your identity into two clear halves, Penguin the dark side of reckless spending, Killer Croc of too closely mimicking an animal avatar, etc. etc.

I bring all of this up in a review of Rob Williams’ Look Inside because while the story may be a potent visceral experience on its oh so sinister surface there is also something theoretically satisfying going on underneath. The theme and subtext of this story suggest that writer Williams subscribes to an approach very similar to Snyder’s but more interesting is the way in which he has one of the comic’s characters bring the thought quite literally to life. It might sound dry but when I say it like this, but watching the theory be wielded like it is here is intense. It may be scary, but sometimes to succeed you’ve got to look deeper, to look inside.
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Legends of the Dark Knight: Dungeons and Dragons

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A title like that catches the eye: to the uneducated it probably makes sense to glue two geek ideas together – comics and gaming – but for those more familiar with either the mixture seems a strange one; The character of Batman is the one that least belongs in the humorous, high-fantasy setting of D&D. So it must be meant metaphorically then, as a figurative turn of phrase, right?

Wrong, you couldn’t get a more literally correct correlation between book and banner than the one showed here. The book has dungeons, it has a dragon, it embodies the concepts of the game and yet it never compromises the ethic of its central character. The title set him a high skill check for sure but I think writer/artist auteur Michael Avon Oeming rolled a natural twenty here, a critical hit, and the comic is the result.
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Legends of the Dark Knight – Gotham Spirit

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The story at the spine of this Legends issue is very strange in that there isn’t really one. We open on an armed robbery occurring in that titular liquor store late one afternoon, when the thugs think it is still safe out. From there the book is simply Batman beating up on the bunch of criminals in quick succession as they attempt unsuccessfully to escape into the city, but the way that it shows this is very far from simple.

Legends is, at it’s core about telling Batman stories that the main comics cannot and most writers take that as a directive to extend the style and structure out into new and subversive territories – to show his stories in space or out of sync – but Jeff Parker somehow made the alternate direction seem even more daring by boiling Bats back to the purest basics.

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Legends of the Dark Knight – Together

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I know that I’m really starting to sound like a broken record now but these Legends of the Dark Knight books are all about brilliant Batman ideas being executed at a brutally brisk a pace. The best titles so far have been the ones that are able to use this format to their advantages, to compress their content just right or to simply cheat and ask for three week’s worth of space for their story. The latest tale, Together by Jonathan Larsen has one of the best ideas of the series to date, but also suffers the most from the format’s speed; making it one of the more exciting and more disappointing efforts all at once, a fittingly schitzoid conflict for a tale about Two-Face to have.

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Batman #0

As one of the idiots trade-waiting the terrific current Batman run it has been a long time between drinks and so, given the quiet week, I slipped up and slapped a copy of this zero issue on my pile, figuring the quick fix would get me through the break. It turns out I was very wrong. Scott Snyder is a writer who doesn’t seem to understand the word ‘short’ or the idea of a one shot and so when tasked with treading back to ‘Before the New 52′ for this zero issue he took the opportunity not to establish an easy origin for Batman but to build out a new step in his mythology, one that will function as a foundation for stories to come far off in the future. This is very reason that I wait to read his books in bulk, they are designed to work that way. The other trademark of Snyder’s stories is their smart and compelling construction, this is here in spades and it is what makes that wait so very hard indeed.

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Legends of the Dark Knight: Slam! Part 2

Last week I spoke about how the small scale and relative reality of Slam! sucked me into its story, how seeing Slam Bradley’s life as a broke dick in the dirtiest city since Gomorrah was a daring and dramatically potent choice; so I should by all means have an issue with this second section’s move towards superheroics, but in actual fact my reaction is rather the opposite. What Phil and Fialkov are doing here is something new to the Legends line, but very familiar to the Noir films that inspired their story: they’re steadily turning up the heat on Slam, escalating on a slow-burn and the suspense this pace creates when it climaxes is phenomenal and the cliffhanger it closes on akin to those in Breaking Bad. If you aren’t salivating for the final chapter of Slam! after this second slice then you’re simply reading it wrong.

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Legends of the Dark Knight: Slam, Part One

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Though Scott Snyder’s operatic approach to the character has been a very successful one; a gritty, grimy and realistic depiction of the Dark Knight is my personal preference. This, the third three-part short story of the series, evokes in its first issue the exemplar of that style: Gotham Central, but instead of a current cop it tells the story of an ex-police PI who is similarly caught up in crimes way above his pay grade. Things look bad for Slam Bradley, I daresay the dick is damned, but his book is very, very good and this is only the start.

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