Tag: Noah Wyle

Falling Skies – Grace

And so it goes that another very promising pilot quickly falters in the confines of full production. I know that it is only early days yet but the fact that this review is so late to being written speaks volumes on my level of interest; as does the fact that I, an avid watcher of first airings, waited until today to finally see this fourth episode of Falling Skies. I had reasonably low hopes for this show, just wanting from it something akin to Jericho – a pulpy but entertaining summer series with a hint of depth and darkness – but quite frankly it is failing to meet even those expectations thanks to minor and major failures from every level of the production team. I have previously spoken about those failures in a general sense but today I’m going to point out the specific area’s in which the show is weaker than a Skitters soft palate.

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Falling Skies – Prisoner of War

Though Falling Skies is by no means a ‘smart show’ it decided to spend it’s second week on screen convincingly constructing an episode around ‘intelligence’ in all its forms. First and foremost it set-up a whole host of cloggy expositional scenes , despite giving us the impression that the info-dump was over after last week’s lean and mean sophomore ep:

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Falling Skies – Pilot

Initially I wrote this program off kind of quickly; the combination of cast (Wyle and Bloodgood aren’t known for their stunning dramas), channel (neither for that matter are TNT) and pulpy genre concept ( given that failures like The Event, V and Flashforward were still airing / on the mind at the time) soured me from the moment of the shows announcement. However, as we near its premiere date (Sunday night, or Monday for us Aussies) I began to hear more and more about the show that got me interested in giving it a watch.

First of all is the name Spielberg. Now obviously his involvement was invoked quite often in the announcement and it didn’t ecite me then because his name is thrown around TV so much these days, that in terms of marketing it is almost the equivalent of selling your show as ‘In Colour!’. Though Spielberg’s prior attempts to foster sci-fi serii have been unsuccessful, he hasn’t been a complete televisual failure; he did after all bring us both The Pacific and A Band of Brothers, two (based on what I have seen of the latter) of the best – and really the only – war shows that the screen has seen. Thankfully then Falling Skies isn’t a Sci-Fi show, thankfully it is instead a spiritual successor to those esteemed programs.

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